Presenter |
Johan Sundberg |
Presentation Title |
The Nasal Tract as a Resonator in SingingSome Experimental Findings |
Additional Authors |
Birch, Gümoes, Prytz, Karle, Stavad |
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Question/Answer session |
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Brian Monson – I’m curious to know, did you happen to do overall sound power? The effect on the overall sound power level by adding the nasal
tract and the maxillary sinuses? Audio
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Brian Monson – Also do you plan or have you taken perceived
loudness measurements with the nasal tract? Audio
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Jim Doing – Had a question about the first three tones that
were sung; it seems to me the [a] without any nasalation was sung at
quite a low dynamic level. Was that singer trying to sing in equal
mezzo forte or forte [a] each time? Because it seemed to me it was
like a mezzo piano [a], and then when you put the nose in, it went
louder. Audio link. |
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Linda Carroll – In trying to take this further (and looking
at it medically for our students who have chronic sinusitis and
are contemplating whether to go ahead and have the sinus surgery
or have any kind of nasal surgery), I know that sometimes we’ve
had singers who report that after they have had sinus surgery, that
they feel like their full resonance is available to them, which
kind of points to the resistance factor that you’ve found,
which kind of makes me wonder about physicians who do unsuccessful
sinus surgery, what might be happening. Audio
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Andy Coward – I had a question about if you determined through
visual inspection if your subject did in fact open his nasal port
or if that was by taking his word? Audio
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Doug Cook – How did the iron nose sound to the ear as compared
to the human version? Audio
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