| Presenter |
Presentation Title |
| Stephen F. Austin,
M.M., Ph.D. |
Historical
support for teaching the ‘comfortably low’ laryngeal
posture and the ‘closed timbre’ |
| Patricia Callaway, D.M.A. |
The
Use of Spectrographic Analysis of Female Voices in the College Voice
Studio |
| William Carey and Donald Miller |
Rosa
Ponselle’s Use of Registers |
| Linda M. Carroll, PhD |
Significance
of analysis window size in maximum flow declination rate |
| James F. Daugherty |
The
Effect of Choir Spacing on Singers’ Perceptions of Efficient
Vocal Production |
| David M. Howard |
Technology
in the singing studio: evaluation by users |
| Eric J. Hunter |
Overlap
of hearing and voicing ranges, and a comparison of the VRP and the
perceived VRP in singing |
| Daniel Ihasz & Dillon R. Parmer |
Practical
Pedagogy and Voce Vista |
| Filipa Lã |
The
Influence of the Menstrual Cycle and the Oral Contraceptive Pill
on the Female Operatic Singing Voice |
| Scott McCoy, D.M.A. |
Breathing
& Gender: Men v Women in the Lutte Vocale |
| Deirdre D. Michael, Ph.D., CCC/SLP |
Correlations
Between Perceptual and Acoustic Measures of Voice Quality in Singers
|
| D.G. Miller and H.K. Schutte |
Voix
mixte: Can chest and falsetto be combined? |
| Garyth Nair |
Consonant
Resonance and the Highly-skilled Singer – a Study in Physioacoustics |
| Viggio Pettersen |
Muscular
patterns and muscular loading levels by classical singers recorded
by surface electromyography |
| Lisa Popeil |
Acoustical
Description of 8 Common Singing Styles |
| Nandhu Radhakrishnan |
Acoustic,
aerodynamic, and kinematic measures of voice production during the
“taan” gestures in Indian classical singing |
| Ruth Rainero |
The
Tongue as Culprit - Increasing vowel clarity and improving legato
through releasing unnecessary tongue tension |
| Donald G. Miller |
The
Role of the Laryngeal Collar in Vocal Tract Acoustics |
| Martin Rothenberg |
The
Control of Airflow during Singing |
Prof.dr. Harm K. Schutte
|
Postural
Changes in the Throat: an Attempt to Correlate Visual and Acoustical
Cues of Voice Production |
| Martin L. Spencer, M.A. CCC-SLP |
Longitudinal
analysis of undergraduate VRPs using the Voice Category Template
and Ratio (VCTR) System |
| Johan Sundberg |
The
Nasal Tract as a Resonator in Singing Some Experimental Findings |
| Sten Ternström |
Synthesizing
Singing - what’s the buzz? |
| Leon Thurman, Ed.D. |
ADDRESSING
VOCAL REGISTER DISCREPANCIES: AN ALTERNATIVE, SCIENCE-BASED THEORY
OF REGISTER PHENOMENA |
| Ingo R Titze |
NONLINEAR
SOURCE-FILTER INTERACTION IN SINGING |
| Karen J. Wicklund, D.M. & Heidi W.D.
Vogley, MS., CCC-SLP |
Therapeutic
Protocols for the Vocally Injured University Singer: Rehabilitation
Through Collaboration |
| John R. Weiss, D.M.A |
Vocal
Health in the Choral Rehearsal |
| Graham F Welch |
Developing
young professional female singers in UK cathedrals |
| Joe Wolfe |
Resonance
strategies in singing: sopranos and tenors |
| Elizabeth Blades-Zeller, DMA |
The
Effects of Feldenkrais Work on the Singer’s Voice as Documented
by Spectrographic Analysis: A Preliminary Study |
